« "I CAN STALK!" | Main | SPOKE TOO HOON »

Comments

Feed You can follow this conversation by subscribing to the comment feed for this post.

That's a hell of a list you've got there. The Radiohead, Shatner and the Kill Bill Soundtracks were pretty good.

Not big on the Radiohead, Peemil, but the Shatner album's terrific. The two KBs are pretty damn fine, too.

Come to think of it, I never thought I'd hear anyone ever say "Radiohead's OK, but Shatner's great."

56 & 77.

Orangutans.

Orangutans? I no get.

What was the Cocksucker Blues DVD like, Tone? From what I believe it was the Stones partying on on one of their early 70's US tours.

That's the one, Rich. Keef and co fully smacked out. It's a top movie. Not super high quality, mind you, but it's a terrific look at what went on. Very revealing.

"There are no pockets in a shroud" - one of those annoying sayings that could be used to justify almost any insane behaviour, in just the same way that perhaps "There is no fly on a shroud" could be used as a good reason to chop your cock off with a machete.

Good to see someone's still buying Paul Westerberg.

The two Westerberg albums are terrific, Simon. In case you didn't know, Grandpaboy is Westerberg, too.

And yes, those kind of sayings get rather annoying. But I'm afraid I have to admit I laughed.

At first, anyway.

We interrupt this comments thread for a spot of gloating,ahem:
Yay Blues!
Thank you, you may resume normal commenting.

Have you ever mentioned you barracked for Carlton before? No. I though so.

Carry on.

I am going to print this list out and put it in my purse. That's how out of the loop I am. From public radio presenter, to scary Queensland hick, all in 18 months. Help!

Go the whole Scary Qld Hick hog, Beth; get it tattooed. "When in Rome ... " and all that.

Yes, but do you have the "Jamming with Edward" CD I'm listening to right now? OK, as a bunch of actual songs, it's not much chop, but the jamming together is as loose yet pointed as the best bits of "Exile" and "Black and Blue", 'specially "Boudoir Stomp", where you can hear 'em working out how "Midnight Rambler" will work, "Edward's Thrump Up" where Nicky Hopkins just lets fly and "Blow With Ry" where he and Keef really have a good sniff underneath eachothers tails.

Oh yeah, the rhythm section on EdJam ain't too shabby either. Charlie and Bill stretching their chops a little bit too as well, Charlie even does a drum solo.

And now in "Interlude A La El Hopo", they're lapsing into Goon Showisms.

And now they've turned the "Highland Fling" into a 300mph piece of classic boogie-woogie, led by Nicky Hopkins.

$2,698 on music ? No mucky vids, mags or DVD'S ? You could have done FAR worse with your hard earned dollars but i'm deffo not too sure about Belle & Sebastian mate!! Surely a momentary abberration which i am certain you will agree with after a period of quiet reflection.

But this 'new style' synthesiser based stuff best exlempified by 'The Killers' Hot Fuss is surely turning back the clock(to before my time)? Duran bloody Duran anyone ? Is their influence THAT strong ?

What about Manic Street Preachers ?

As it happens, Nab, no; I don't have the "CD [you're] listening to right now". But I do have the vinyl I'm listening to right now; my original US pressing [Modest cough]. Edwards Thrump Up at 7:25 in the morning.

For what it's worth (no Buffalo Springfield jokes please), I agree with everything you say about the album.

OK Tony, original vinyl trumps a CD rerelease anyday. Mind you, they've thoughtfully left the scratches on the CD version so you can hear someone walking up and down a gravel path in the background. And when are they gonna release "Love You Live" on CD? Don't tell me Allan Klein's still got the rights to that one. And I wouldn't mind having a squiz at "Cocksucker Blues" someday.

I didn't know LYL hadn't been re-released. Is there a reason for that? Pretty much everything else is. Although it's not that good an album. Side three rocks, mind you "Allo Mahr-Grit. 'Ow are ya?"

And we can certainly tee-up a CB viewing.

Have you ever mentioned you barracked for Carlton before? No. I though so.

Carry on.
Actually Tone old son, you have in fact posted a disparaging remark regarding Carlton on a post I wrote last year.
Are all Melbourne barrackers so absent-minded?

P.S. I have Jamming with Edward stashed away here somewhere, I don't remember being very impressed with it. I must dig it out and give it another go.

One remarks? Is that all?

Ahhh, well, there you go. I post so many disparaging remarks about Carlton it's like water of a duck's back.

JWE is not by any means the best album of all time, but it's a pretty hot session, never the less.

CUSTOMERS WHO BOUGHT Love You Live ALSO BOUGHT ...

Turbo by Judas Priest

Stupid customers!

On the upside, their current "Best Seller" is A Nod's As Good As A Wink. At least they've got that going for them.


Thanks for the Shatner tip, Tony. I downloaded "I Can't Get Behind That" and it was great. I probably won't listen to it again though.

P.S. "They Were Wrong, So We Drowned" doesn't have a "Them" on the end.

I must have been subconsciously channelling my violent tendencies, Hung.

Interesting comment on Shatner. I certainly see where you're coming from, but I suggest you check out the whole album.

I really really dig that Belle and Sebastian album, Brett.

But I certainly agree that this new synthesizery* stuff is all so very 80s. Lately I have been irreparably addicted to Death Cab for Cutie and the Postal Service--both painfully 80s-ish-- so who am I to talk? I thought I was too cool for that stuff--apparently not.

*OK, I write about books. I clearly cannot write about music. "Synthesizery," anyone?

I really like the B&S album, too, Vague. The addition of Trevor Horn was a big improvement from the earlier fey noodling.

It's heaps different from their earlier stuff, Brett. Not a fan of the Manics, though.

There are way too many eighties throwbacks these days.

Have just caught a listen to The Streets 'a grand don't come for free'. I mean i didn't want to criticise without giving him a shot. And SHOT is just the state this bloke should be in. A bloke mumbling bullshit over a bland musical backdrop doth not good listening make. Put a large cross by this one Tony and we'll consign it into musical history.

The comments to this entry are closed.